WORK OF THE WEEK: Edmund de Waal, Last Things, 2006
59 hand crafted porcelain vessels, the colours of which span six different shades of celadon and grey glaze, each bear an impression, in the form of a dent or imprint, of Edmund de Waal's hands. The subtle indications of the maker on each pot reflects a sense of the time that went into its creation, each vessel standing therefore as a uniquely crafted moment. In this sense, the vessels can be 'read' by the viewer, placed in a horizontal line on a dark steel plinth, like words on a page.
In Last Things, the undulating visual rhythm established by de Waal's placement of differently scaled vessels, like the tubes of a pipe organ, conjure a sense of dynamic and pulsating sound. It is the space in between the objects, as much as the objects themselves, that bring the work to life. Last Things links the convention of ceramics and craft to sculpture and fine art.